
Not for a world would I trade my morning crossings through the Likoni Channel. Not for a world I swear.
It’s something. It is said that you must either amuse people or shock them or feed them (Scott Fitzgerald) and each is done here in equal measure. From the Buibui clad bintis with veiled faces and immodest eyes, their perfumes sickeningly sweet like a sailor’s first sip of drink at a foreign pier to the good-time girls chasing the sun, light skin and the ubiquitous scent of money that lingers there; skimpily clad and leaving little to the imaginations of the enraged Sheikhs who stare angrily, and hungrily.
From the fawning coolies who fall over themselves smiling, carrying your luggage to the terminal, menacingly demanding more than was bargained for at the end to the touts who ruffle each other up for idle sport. It is how lazily life flows here at the waterfront. And what a fool I was once to even conceive that I could change the world…that I could change a world. Plus ca change, plus c’est la meme chose. C’est vrai. There will always be a beggar there. Once it was a blind man who played the Nzumari, the same tune always…it’s stuck in my head. Now it’s a lame acrobat and a female leper with a manila paper telling her life story in impeccable English. The lame acrobat makes me laugh. These are familiar faces, and they all have names. They want a city in the sun where they can ‘dare to be lucky and live out loud’ and Mombasa is that one.
And there is a blind preacher, who plays the accordion rather decently, cites- quite impressively- numerous Bible verses. He places a tin at his feet for offering. The Muslims even, are charitable.
And the incongruous couples; foreign senior expats with painfully younger girls bathed in expensive perfume and too dark a shade of rouge. Robust young black men with octogenarian white ladies, their thinning hairs a metallic blonde. Old coastal men who wink and the younger ones who wink to each other. They all work for the president…everything has a price. You can feel the money changing hands around you. And the touts who tease young schoolgirls with wicked smiles and suggestive eyes and the girls giggle back…and cupid sighs. I harbour a merry dislike for them all and sometimes I love them childishly.
I love the sea. How it varies in hue from the promontory and where you can see little schools of fish no longer than your thumb to the ominous blue of the deep and a shimmering green in the distance at high noon. In the wee hours it smells like rotten eggs. And when it rains the sea goes mad, like a caged lion. You can feel the ferry tilting beneath your feet and the wind, its breath, blows against you and wrestles you like an invisible ghost…the zimwis.
And in this sea of humanity stand I, alone in a crowd, painfully diffident still at 21, but I’ve made such a consummate art of hiding this that my contorted face looks almost hostile to the tourist who smile encouragingly at us in the breath of those wanting to save us. Some smile back, wanting to be…
The government, in its eagerness to do more harm has built waiting areas so that while at first the crowds waiting for the crowds waiting for the ferry looked like disorganised sheep, now they look like cattle due for a dip. This amuses me. The tourists shake their head forlorn. And the gatekeeper in shades and a danger red shirt, buffed beyond the call of duty, treats us worse than cattle.
The away trips are alive with gossip…of yesterday’s conquest, of tomorrow’s promises. The return legs desolate, with people who look like cut-flowers out of water. There are women donning Kangas with scathing Swahili messages imprinted at the edges. Like a new means of conversing…a constant fad here. Kupanda mti kwataka shimo.
And the smells…of acrid waste from burst drains battling vehemently with the lemon scent of aftershave on beautifully chiselled faces, cleanly shaven and freshly kissed. Yesterday’s sweat mingling with today’s sautéing dishes from roadside eateries, infused with every spice imaginable. You breath it all in and it becomes native to you. And the city claims you.
It is the vanity of youth to think that one can save the world. A crucial vanity for from it one realizes that it is you who need saving. Because the world is perfect, it is our perception that is skewed. Its catastrophes and hurrahs, its griefs and solidarities…its moments all are perfect. No one should dream of changing it but rather finding one’s place in it.
There are moments in every day that Satan does not catch. They are intimate moments, hidden under the gauze of the ordinary. They are silent moments, unpretentious. As true as a girl’s first kiss, and as pure as a dream like the first touch of kindness from a stranger. And I thank God that I am lucky enough to be privy to them.


